Tron Legacy



Well, I’ve really not been on for a long time. No excuse, just a few lifestyle changes and laziness. Whoops.

So I’ve missed reporting on my favourite views since, well, goodness me about two years. Many things have happened all of them good – Inception, Shutter Island, and it’s not just the Leonardo DiCaprio films I liked last year, up there was Toy Story 3, The Hurt Locker, A Single Man, Harry Potter and the Deathly Hallows and many more I can’t even remember. That’s how good they were.

Summer is almost here which inevitably means a tedious season of blockbusters and kids flicks, so it’s back to Love Film to catch up on some goodies I’ve missed. The first of which is ... Tron: Legacy.

Aside from the jarringly bright and optimistic Disney logo on the film poster, this film is a true dystopian epic. Not as good as Blade Runner, as it’s nowhere near as clever, but up there with other sci-fi adventures like the Matrix.

The best bit, clearly, is the Dude and, as he describes it, the ‘bo-digital jazz’ of a soundtrack – Daft Punk of course. The other thing, is the pure beautiful design of the ‘Grid’ – something which director Joseph Kosinski was clearly keen to promote as something not of the ‘future’ but just the best of current aesthetics.

There’s nothing really ‘futuristic’ as such about the cars, venues, homes, clothes of the Programmes and Users in the Grid – much of it feels like you’ve seen it before, just maybe in an art gallery, or architects webpages. Kevin Flynn’s Japanese inspired minimalist house is an enviable bachelor pad, and the villain ‘Clu’ lives in what could arguably be a top airline’s first class lounge – just with a couple of ominous bikers strutting about in leathers.

Costumes have a clear nod to the previous film, but just like the graphics and even the atmosphere (it rains in the Grid) there’s a sense, that just like in the real-world, live has moved on, progressed and got harder, better, faster, stronger (bad in joke for DP fans). But I couldn’t get past the wetsuit look of them (but maybe that’s because I’ve just back from a week of surfing).

Overall the story is somewhat weak and predicable, but that’s not what makes this film enjoyable – it’s the style and the immersion into a different world. There’s some excellent character performances (Michael Sheen has a real injection of energy half way through) and some fairly terrible (Garrat Headland – Sam Flynn).

I think it’s clear this, like so many of Bridges films, will be a bit of cult hit and a marmite classic, some will cherish and others won’t.

3.5 out of 5

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